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RAFFAELLO Sanzio Judge mk243
120x105cm
1508
oil on canvas
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RAFFAELLO Sanzio Theology mk243
1508
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RAFFAELLO Sanzio Philosophy mk243
1508
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RAFFAELLO Sanzio Poetics mk243
1508
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RAFFAELLO Sanzio Law mk243
1508
180cm
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RAFFAELLO Sanzio Theology mk243
1507
16x44cm
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RAFFAELLO Sanzio The virgin mary and John mk243
1507
107x77cm
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RAFFAELLO Sanzio The virgin mary mk243
1507
122x80cm
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RAFFAELLO Sanzio Detail of Family mk243
1507
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RAFFAELLO Sanzio Argue mk243
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RAFFAELLO Sanzio Argue mk243
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RAFFAELLO Sanzio Argue mk243
1508
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RAFFAELLO Sanzio Kadalina mk243
1508
71x53cm
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RAFFAELLO Sanzio The virgin mary mk243
1510
Oil on canvas
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RAFFAELLO Sanzio Academy mk243
1508
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RAFFAELLO Sanzio Academy mk243
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RAFFAELLO Sanzio The virgin mary mk243
1508
81x57cm
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RAFFAELLO Sanzio Mountain mk243
1510-1511
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RAFFAELLO Sanzio Ceremony mk243
1511
295x225cm
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RAFFAELLO Sanzio The virgin mary mk243
1510-1511
68x48cm
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RAFFAELLO Sanzio
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Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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